What notes are in the D#mMaj7 chord?

The D#mMaj7 chord contains the notes D#, F#, A#, D. The D#mMaj7 chord is dark but hopeful. It consists of the notes D#, F#, A#, D. This seventh chord adds depth and complexity to your playing, commonly used in jazz, blues, and contemporary music.

How do I play D#mMaj7 on piano?

Place your thumb on the root note D#. Place your middle finger on F#. Place your pinky finger on A#. For the D note, use your index or ring finger depending on comfort. Press all keys simultaneously to hear the D#mMaj7 chord.

What chords go well with D#mMaj7?

Common progressions using D#mMaj7 include: i-iv-v Progression, i-VI-III-VII Progression. Related chords include D#, D#m, D#dim.

D# Minor-Major 7th Chord on Piano – How to Play D#mMaj7 (Notes & Fingering)

Chord Information

Learn how to play D#mMaj7 on piano

Notes in Chord

Intervals

Inversion

Notes (bottom to top): D#4 - F#4 - A#4 - D5

Right Hand Fingering

Fingers: 1-2-3-5

1=thumb, 2=index
3=middle, 4=ring, 5=pinky

Interactive Piano

Click the highlighted keys to play the D#mMaj7 chord

Click any key to load sounds

How to Play D#mMaj7 on Piano

Place your thumb on D#.
Place your index finger on F#.
Place your middle finger on A#.
Place your pinky finger on D.
Press all keys simultaneously to hear the D#mMaj7 chord.

Recommended fingering: 1-2-3-5 (right hand)

D#mMaj7 Chord Inversions

The D#mMaj7 chord can be played in different inversions:

Root Position

D# - F# - A# - D (bass note: D#)

First Inversion

F# - A# - D - D# (bass note: F#)

Second Inversion

A# - D - D# - F# (bass note: A#)

Common Chord Progressions Using D#mMaj7

i-iv-v Progression

Common chord progression

D#m→G#m→A#m

i-VI-III-VII Progression

Common chord progression

D#m→B→F#→C#

Practice Tips for D#mMaj7

Start slowly and focus on pressing all keys simultaneously for a clean sound.
Practice transitioning between D#mMaj7 and other common chords to build muscle memory.
Listen carefully to how the seventh interval creates tension and color in the chord.
Practice resolving this chord to its natural target chords in progressions.